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- What Indians lived in this area?
- Do you have information about the history of the East Los Angeles area?
- What role did agriculture play in the history of East Los Angeles?
- Do you have any information on the history and current status of Olvera Street?
- Do you have any information about the murals in East Los Angeles? What did David Siqueiros' mural at Olvera Street look like? What happened to it?
- What information do you have on the Zoot Suit Riots?
- Do you have any information on the "Battle of Chavez Ravine?"
- Do you have any information about the Chicano Movement?
- Who are the Brown Berets?
- What were the "Chicano Blowouts?"
- What was the "Chicano Moratorium?" Do you have film of the "Chicano Moratorium?" Do you have information on Vietnam War protests in East Los Angeles?
- Do you have any information about Ruben Salazar?
- Who are the "Mothers of East Los Angeles?"
- What is Cinco de Mayo? What is dieciséis de septiembre?
- Where can I find old photographs of the East Los Angeles area?
1. What Indians lived in this area?
Native Americans who lived in the Los Angeles area spoke a language distinct
from their neighbors to the North and South of them. They have come to be
known as Gabrielino, because many of those who survived European diseases and
the disruption of their normal trade patterns and culture went to the Mission
San Gabriel in Los Angeles, some voluntarily, others only when confronted by force.
When the Europeans arrived, they discovered many Indian villages between the
Pacific Ocean and the San Gabriel mountains. The Gabrielino lived in domed,
circular structures with thatched exteriors. Both men and women wore their
hair long and used a vegetable charcoal dye and thorns of flint slivers to
tattoo their bodies. They required very few clothes, though women usually
donned deerskin or bark aprons, and all might wear animal skin capes in cold
or wet weather.
Passing through during the mid 1700s as part of Spaniard Gaspar
de Portola's famous expedition from San Diego to Monterey, Padre Juan Crespi
observed that the Indians in the area were very friendly. Nevertheless, during
the late 1700s and early 1800s, after dominating the Los Angeles area for
hundreds of years, those Gabrielino who did not flee were gradually moved to
Spanish missions. Many became laborers for local landowners. Most eventually
adopted a new, more European lifestyle. For more information on the Gabrielino,
see the following source:
Website Links:
Print Sources:
- Handbook of North American Indians, edited by William C. Stuyvesant/Volume 8: California, edited by Robert F. Heizer. Washington, D.C.: Smithsonian Institution, 1978.
- McCawley, William. The First Angelinos: The Gabrielino Indians of Los Angeles. Banning, CA: Malki Museum Press; Novato, CA: Ballena Press, 1996.
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2. Do you have information about the history of the East Los Angeles area?
For centuries Native Americans made their homes near the Los Angeles River.
The late 1700s ushered in Spanish explorers and missionaries whom ranchers
and, later, farmers soon replaced. With the blossoming of a local rail system
and a maturing economy, tract housing began edging out the farmers early in
the twentieth century. In particular, many recent immigrants settled in East
Los Angeles. Russians fleeing war and religious persecution joined Japanese,
Mexicans, Italians, and Poles in Boyle Heights.
By the mid 1920s, moreover, one third of the 65,000 Jews living in Los Angeles lived in Boyle Heights.
Eventually, the European immigrants moved on to suburbs further away. But
the Mexican community expanded. In the 1920s, increased immigration spurred
by employment opportunities, the encroachment of industry and commerce on
downtown Los Angeles neighborhoods inhabited by earlier immigrants, and the
accessibility of electrified commuter rail systems to carry workers to their
jobs led to a swelling of the Mexican population of East Los Angeles.
By 1930, some 30,000 residents of the community of Belvedere alone were of
Mexican descent. Over time, the individual communities on the east side of
the river melded into a large Mexican-American community. World War II
brought turmoil and tensions with those outside of the community, and in the
1950s and 1960s, massive freeways began to criss-cross the area, bringing with
them problems of division and pollution.
Community contours were further changed as neighboring cities, including Monterey Park, Commerce, and Los
Angeles, annexed pieces of East Los Angeles. Attempts by residents of East
Los Angeles to incorporate as an independent city were unsuccessful. During
the late 1960s and early 1970s, the uneasy co-habitation of the Latinos of
East Los Angeles with their frequently discriminatory neighbors helped ignite
the activism of the Chicano movement.
Website Links:
Print Sources:
- Macias, Reynaldo F. A study of unincorporated East Los. Los Angeles, CA: University of California Press, 1973.
- Schumann, Howard. The Incorporation of East Los Angeles as a Separate City: Problems and Prospects. M.A. thesis. Los Angeles: University of Southern California, 1965.
- Romo, Ricardo. East Los Angeles: History of a Barrio. Austin: University of Texas Press, 1983.
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3. What role did agriculture play in the history of East Los Angeles?
In the 1800s, Mexican and American ranchers used the land for sheep and
cattle grazing. As the century progressed, more and more farmers made
their homes in the area that would later become East Los Angeles. They
planted grains and raised pigs and chickens. Citrus trees, eucalyptus
groves, and grape vines, as well as rows and rows of vegetables, sprouted
alongside fields of grazing dairy cows. Relatively early in the twentieth
century, however, train tracks, paved streets, immigrant dwellings, and
factories replaced this bucolic scenery.
Print Sources:
- Romo, Ricardo. East Los Angeles: History of a Barrio. Austin: University of Texas Press, 1983.
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4. Do you have any information on the history and current status of Olvera Street?
Named after Agustin Olvera, Los Angeles County's first judge and the owner
of a home set along the thoroughfare in the 1850s, Olvera Street actually
dates back to the late 1700s, when 44 Mexicans settled El Pueblo-present-day
Los Angeles. Their community was centered around a plaza, of which Olvera
Street was a part. On Easter Sunday 1930, Olvera Street officially opened
as a Mexican marketplace, providing Mexican Americans from throughout the
greater Los Angeles area with a place to meet, do business, and preserve
their heritage. Olvera Street is currently part of the El Pueblo de Los
Angeles Historic Monument.
Website Links:
Images:
- Olvera Street from Cesar Chavez, 2000
[County of Los Angeles Public Library]
- Pico House from Olvera Street, 2000. The Pico House was built in the 1860s.
[County of Los Angeles Public Library]
- Our Lady Queen of Los Angeles Catholic Church (aka 'Old Plaza Church'), 2000. The Church was built in 1818.
[County of Los Angeles Public Library]
- Old Plaza Firehouse in El Pueblo de Los Angeles Historic Monument, 2000. The Firehouse was built in 1884.
[County of Los Angeles Public Library]
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5. Do you have any information about the murals in East Los Angeles? What did David Siqueiros' mural at Olvera Street look like? What happened to it?
Los Angeles is considered by many to be the "mural capital of the world."
Always a part of Mexican art tradition, murals became a canvas for social
and political statements in the hands of a number of Mexican artists in the
early twentieth century. Artists in Los Angeles saw similar value in the
painting of murals later in the century, revitalizing the art form as a means
of expression in the wake of the civil rights movement of the 1960s.
In 1974, arts-activist Judy Baca established a citywide mural program and later helped
start the Social and Public Art Resources Center (SPARC). At the end of the
1980s, SPARC introduced "Neighborhood Pride: Great Walls Unlimited," a program
through which SPARC raised funds and commissioned talented artists to paint
murals throughout the Los Angeles area.
"Tropical America," the mural Mexican artist David Siqueiros painted in 1932,
depicted an Indian splayed on a double cross with what the artist referred to
as "an American imperialist eagle" above his head. Behind the cross were
Aztec symbols and a Mayan temple. While some appreciated the mural as art,
others thought it was anti-American. Within months, a portion of the mural
had been whitewashed, a fate that befell the entire mural within a few years.
At present, the mural is covered in preparation for restoration by the Getty
Museum.
Website Links:
Images:
- 'Dreams of Past, Present, and Future. In Memory of Rogelio Flores.' mural on the 3rd Street wall of the East Los Angeles Public Library
[County of Los Angeles Public Library]
- Mural on outside wall of the Anthony Quinn Library facing Cesar Chavez Avenue.
[County of Los Angeles Public Library]
- Mural on outside wall of the Anthony Quinn Library facing Cesar Chavez Avenue.
[County of Los Angeles Public Library]
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6. What information do you have on the Zoot Suit Riots?
The Zoot Suit Riots erupted in Los Angeles during June 1943. "Zoot Suits"
were extra-large suits with long pants and long coats and were very popular
with many young men, including musicians. The press fueled the sentiment
against the zoot suits and those who wore them by claiming that these suits
used more cloth than was legal under wartime rationing and portraying the
wearers of the suits as 4-F's and gangster types. Public opinion associated
the zoot suits with Mexican-American gangs.
The 1942-1944 Sleepy Lagoon Murder trial resulting from the murder of Jose
Diaz in August 1942 and the corrupt trial of seventeen Mexican American
defendants that followed, served as a precursor to the Zoot Suit Riots of
1943. Leading up to the riots, soldiers and sailors stationed in the Los
Angeles area had repeatedly quarreled with young Mexican Americans. The
two sides finally clashed violently on June 3 when a group of sailors
assaulted a handful of zoot suiters in Venice. The attacks themselves were
a destruction of the zoot suits while they were being worn. The newspapers
printed photographs of the bloody, bruised, and often naked victims, while
they were being arrested.
Word got out that gang members had done the attacking and the following night
saw several hundred soldiers and sailors making their way through the streets
of East Los Angeles and Los Angeles. In the days that followed, military men
and ordinary citizens, with more encouragement than intervention from local
police, roamed the streets randomly attacking zoot-suited Mexican Americans,
occasionally taking on blacks and Filipinos as well.
The military commanders were slow to take action, in addition, many cab drivers supported this strike
against "unAmericanism" by providing cab rides to soldiers and sailors into
the city, especially on one particular night, known as the Taxicab Brigade.
Only after military commanders barred their charges from East Los Angeles and
downtown on June 7-at the urging of Washington officials feeling the pressure
of the Mexican government and international public opinion – was the rioting
finally halted.
Website Links:
Print Sources:
- Dimitroff, James S. The 1942 Sleepy Lagoon Murder: Catalyst for Mexican American Militancy in Los Angeles. Thesis. Los Angeles, CA: University of California, 1968.
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7. Do you have any information on the "Battle of Chavez Ravine?"
The "Battle of Chavez Ravine" refers to a ten-year dispute over what to do
with a certain area of Los Angeles. In the 1940s, Chavez Ravine was a poor,
though cohesive, Mexican-American community. Many families lived there
because of housing discrimination in other parts of Los Angeles. With the
population of Los Angeles expanding and Chavez Ravine viewed as a prime,
underutilized location, the city voted to use federal funds to erect an
apartment complex to address the severe post-World War II housing shortage.
Prominent architects Richard J. Neutra and Robert Alexander developed a plan
for "Elysian Park Heights."
The city had already relocated many of the residents of Chavez Ravine when the entire project came to a halt. Fear of
communism was sweeping the United States and loud voices in Los Angeles cried
that the housing project smacked of socialism. In the end, the project died.
During the failed housing project attempt, the city began to label the area
as "blighted" and thus viewed Chavez Ravine as ripe for redevelopment. Some
years later, the city made the controversial decision to use the land to
tempt the Brooklyn Dodgers to move to Los Angeles. With Chavez Ravine slated
to become the site of the new Dodger Stadium, the remaining members of the
Chavez Ravine community were forced to relocate.
Website Links:
Print Sources:
- Normark, Don. Chavez Ravine, 1949: A Los Angeles Story. San Francisco: Chronicle Books, 1999.
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8. Do you have any information about the Chicano Movement?
In the mid 1960s, with blacks demanding their rights, the war in Vietnam
heating up, and President Lyndon Johnson pressing ahead with his War on
Poverty, Mexican Americans in the United States began to think more about
their own social, economic, and political oppression. The Chicano movement
of the late 1960s and early 1970s stressed the unique identity of Mexican
Americans and encouraged cultural self-awareness and expression. Political
and social activism to correct injustices and defeat discrimination were a
natural outgrowth of that awareness and a major feature of the movement.
Key issues involved inadequate education, police brutality and the high rate
of Chicano incarceration, inadequate services, political gerrymandering and
lack of political representation, and the high number of Chicanos dying in the
war in Vietnam. The Chicano movement took up many of the demands seen in the
Black civil rights movement, such as self-determination and ethnic pride.
East Los Angeles, because of its ethnic composition, became the center for
Chicano art, literature, expression, and intellectual activity.
Website Links:
Print Sources:
- Romo, Ricardo. East Los Angeles: History of a Barrio. Austin: University of Texas Press, 1983.
- Acuña, Rodolfo. A Community Under Siege: A Chronicle of Chicanos East of the Los Angeles River, 1945-1975. Los Angeles: Chicano Studies Research Center, Publications, University of California at Los Angeles, 1984.
- García, Jorge. Forjando Ciudad: The Development of a Chicano Political Community in East Los Angeles. 1986.
- Marin, Marguerite V. Social Protest in an Urban Barrio: A Study of the Chicano Movement, 1966-1974. Lanham: University Press of America, 1991.
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9. Who are the Brown Berets?
Born in the mid 1960s, the Brown Berets started as a group of young Mexican
Americans, both men and women, determined to nurture leaders within their
own community to facilitate social change and fight injustice. In the face
of police harassment, they established an organization called "Young Chicanos
for Community Action"-later the "Brown Berets," after the article of clothing
they adopted as a symbol of unity. The Brown Berets became leaders in the
Chicano movement, mobilizing their neighbors for protest and action in the
late 1960s and early 1970s. They supported the "Chicano blowouts" of 1968,
were involved in forming the Chicano Moratorium Committee, and in 1972 occupied
Catalina Island for a time in hopes of increasing awareness of the plight of
Chicanos. Within the last fifteen years, the Brown Berets, now broken into
two factions, have again become active in the Latino community.
Website Links:
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10. What were the "Chicano Blowouts?"
In the late 1960s, as was happening with teens across the country, Mexican
American teens were breaking out of accepted roles and trying to take charge
of their education and futures. Many took on the label of "Chicano" or
"Chicana" in spite of the fears and concerns of parents and other adults that
they were being too radical or even communist.
Over the course of several months, students at Lincoln High School became politicized and increasingly
aware of the inadequacies in educational funding, programs, Chicano and
Mexican culture in the curriculum, and of Chicanos on the faculties of the
East Los Angeles high schools. They began organizing themselves and educating
their peers in the surrounding schools. Feeling the Board of Education was
not listening, these students organized a walkout or "blowout" that gained
momentum. One day in early March 1968, hundreds of East Los Angeles high
school students walked out of their classes.
Over the course of the next several days, hundreds more students from fifteen
different schools followed suit. Eventually, police arrested thirteen people
on conspiracy charges – though nothing ever came of these. At the heart of the
student protests were concerns and frustrations regarding educational
conditions in public schools attended almost exclusively by Chicanos where
drop-out rates were astronomical and graduates who went on to college were
rare.
The students resented the poor physical condition of their schools and
the fact that most of their teachers pushed students towards shop courses
rather than towards college. They wanted bilingual education, more Chicano
teachers and administrators, and courses relevant to their Mexican heritage,
not to mention improved cafeteria food. In the end, city education officials
did little to meet the student demands, and some twenty years later those who
participated, while showing evidence that the demonstrations had significantly
impacted their own lives, were still lamenting the problems plaguing the
schools of East Los Angeles.
Website Links:
Print Sources:
- Puckett, Myron Leslie. Protest Politics in Education: A Case Study in the Los Angeles City School System. Ph.D. dissertation. Claremont Graduate School, 1971; Ann Arbor, Mich.: University Microfilms International, 1977.
Images:
- Garfield High School in East Los Angeles
[County of Los Angeles Public Library]
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11. What was the "Chicano Moratorium?" Do you have film of the "Chicano Moratorium?" Do you have information on Vietnam War protests in East Los Angeles?
The Chicano Moratorium Committee was a group organized in the late 1960s
primarily to protest the war in Vietnam and the disproportionately large
numbers of Chicanos being drafted and dying overseas. Chicanos' poor
schooling, poverty, and lack of power, activists noted, made them less likely
to resist the draft and more likely to join the military.
The Chicano Moratorium sponsored several large demonstrations in late 1969 and the early
1970s. Though intended to be peaceful protests, one rally in East Los Angeles
on August 29, 1970, degenerated into a riot as police clashed with some 20,000
demonstrators. The community history holds that the trouble began during an
after-march rally as protesters and families were in Laguna Park (now Salazar
Park) watching the concert and speakers. The Los Angeles Sheriff Department
called for the crowds to disperse and began advancing with tear gas. The crowd had only one exit available to them and could not exit fast enough and so began resisting.
The chaos extended into the surrounding neighborhood where looting took place. In the end, three people--including Ruben Salazar--were killed, 61 were injured, and more than $1 million worth of property in
the vicinity was either stolen or damaged. The anniversaries of this date
are often commemorated with marches and rallies throughout the same
neighborhood. The National Chicano Moratorium Committee still exists and
remains focused on fighting for better education, improved health care, and
other rights for Latinos.
Website Links:
Other Sources:
- Chicano Moratorium [videorecording]: A Question of Freedom. Nikolai Sherbin, producer; Thomas Myrdahl, director. Woodland Hills, CA: Brikim Video Centers, 1971.
- Requiem 29 [videorecording]. Hollywood, CA: Visual Image; Los Angeles, CA: UCLA Instructional Media Library. 1971.
Images:
- Belvedere Park in East Los Angeles
[County of Los Angeles Public Library]
- Salazar Park (formerly Laguna Park)
[County of Los Angeles Public Library]
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12. Do you have any information about Ruben Salazar?
Ruben Salazar was the news director of Spanish-language television station
KMEX, a former journalist for the Los Angeles Times, and a man committed to
educating the Chicano community and empowering its members. His columns served
to spark discussion on issues of race, identity, and generational conflict
within and outside the Mexican American community. While at first he saw
himself as a Mexican American, his most famous column was "Who Is A Chicano?
And What Is It the Chicano Wants?" Although Salazar's life story is yet to be
published, his columns are compiled in the book Border Correspondent: Selected
Writings, 1955-1970.
Salazar was killed during the August 29, 1970, demonstration, when a tear gas
projectile fired by a sheriff's deputy hit him in the head as he sat inside
Whittier Boulevard's Silver Dollar tavern. Cries of murder and political
assassination led to an investigation. Community interest was strong and the
inquest into his death was televised locally. But a flawed and biased inquest
resulted in no criminal prosecutions, inflaming further the suspicion, anger,
and frustration of the citizens of East Los Angeles.
Website Links:
Print Sources:
- Salazar, Ruben. Border Correspondent: Selected Writings, 1955-1970. Latinos in American Society and Culture; 6. Berkeley: University of California Press, 1995.
Images:
- Salazar Park (formerly Laguna Park)
[County of Los Angeles Public Library]
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13. Who are the "Mothers of East Los Angeles?"
Juana Beatriz Gutierrez and several of her friends founded the group in 1986
to prevent the state of California from building a prison in their
neighborhood. Distributing information and holding candlelight vigils each
week, they also lobbied in Sacramento. Their actions earned considerable
press coverage and, in 1992 the state decided not to build the prison. This
success, plus the fact that they were also instrumental in combating an
incinerator project, has brought them attention by students of environmental
racism and community activism. Now an institution, "Mothers of East Los
Angeles" has been involved in conservation programs, health educational
campaigns, and raising money for college scholarships for local students.
Website Links:
Print Sources:
- Pulido, Laura. Environmentalism and Economic Justice: Two Chicano Struggles in the Southwest. Tucson: University of Arizona Press, 1996.
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14. What is Cinco de Mayo? What is dieciséis de septiembre?
After Mexico earned its independence from Spain early in the nineteenth
century, England, Spain, and France loaned the new country funds to help it
survive. While England and Spain eventually decided not to demand repayment,
France attempted to conquer Mexico. On May 5, 1862, the Mexican army defeated
the French at Puebla, demonstrating Mexico's commitment to maintaining its
identity and freedom and its willingness to fight in defense of those
principles. In the United States the Battle of Puebla came to be known as
Cinco de Mayo.
While Cinco de Mayo celebrates the Mexican victory against the
French at the Battle of Puebla, dies y seis de septiembre celebrates Mexican
independence on September 16, 1810. Many people confuse the two. People of
Mexican heritage throughout the United States, as well as in Mexico, celebrate
Cinco de Mayo with dancing, parades, fireworks, and music to commemorate this
event and the spirit it symbolized.
Website Links:
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15. Where can I find old photographs of the East Los Angeles area?
The Los Angeles Public Library’s photo collection has many old photographs of the East Los Angeles area. The Japanese American Museum also has a project on Boyle Heights that has a collection of historic photographs of the community.
Website Links:
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Agoura Hills |
Antelope Valley |
Carson |
Catalina Island |
Claremont |
East Los Angeles
Gardena |
Lakewood |
La Puente Valley |
Pico Rivera |
San Dimas |
San Fernando
San Gabriel |
South Gate |
Willowbrook
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