book, story, volume one

Black Palace

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Two twenty-foot black barred gates stood corner-to- corner separating him from the catcalls on his right where tattered men clawed at him.

To his left was a clean, orderly ward.

Miguel stood, distracted by the gates when suddenly he felt a yank on his blue silk tie.

“Give me your tie,” said an inmate on his right.

He pulled away quickly and the yelling escalated.

The guard looked him up and down. Miguel’s tie matched his eyes; he wore a tailored navy blue suit and stood six feet tall.

“Would you like a luxury cell or do you want to join them?” he said, pointing to the right.

“I’ll take the luxury cell.”

The guard smirked.

The left gate opened and with that the shouting from the right faded. The guard escorted him down the corridor. Miguel heard the far off strumming of a guitar from the galleys above. He was placed in a single cell on the ground floor. Meals would be served in the dining room. The cost for “luxury”: five hundred pesos a day. The guard gave him a voucher to sign.

It was 1953 and Miguel was 29 years old. He had been to Mexico City eleven years earlier, fleeing his village in Michoacán. When he was three, his father accidentally killed his mother while cleaning his shotgun. His father repented throughout his life praying endless hours on his knees while wearing a crown of thorns. However, he became distant and allowed his second wife to mistreat Miguel.

Miguel loved school. But at age seven, at the suggestion of his stepmother, he was made to work in the fields and support the new children that came. His father owned land, animals and bore the last name of the founders of the village. But Miguel lived like an indentured servant. His labor began before sunrise and ended after sunset. His clothes and shoes were worn and he was never given a peso or a sign of affection. At dinner he was not welcomed to the table, and he ate alone.

The years of neglect and frustration drove him to Mexico City in 1942. He heard that the United States needed workers, Braceros, to help the war effort. He arrived by train in white manta clothing, worn huaraches and held his sombrero in place with one hand on either side as he looked up at the skyscrapers. Miguel wanted to stay and explore the city but his only contact was Major Rubalcava, a man who had married a woman from his village. The Major managed the Rancho La Herradura, which belonged to Miguel Aleman, Mexico’s President.

The Major and his wife gave him a place to stay and a job on the ranch. But Miguel had left his village to become a Bracero and he kept this in mind as he tended the cows, irrigated the vast fields of alfalfa and exchanged glances with a shepherd’s daughter. He also thought about his mother. He would quietly hum a lullaby, his only memory of her. He would close his eyes as he sung but still he could not see her face.

A year later he left the ranch and set out for the Estadio Azteca where thousands of men were spread across acres of parkway waiting to be contracted as Braceros up north. Soldiers patrolled the area in jeeps as men gathered with their home state paisanos. It was difficult to find a clean spot to rest. The unexpected number of people in the parkway destroyed the grass and trees and the smell of excrement permeated the air.

He camped out for nearly three weeks surviving on the small amount of money he had earned and the generosity of others. Finally, one day in early April, he made it to the front of the line.

“You’re young,” said the administrator.

Miguel was under the required age of 18.

“I’m 22,” he said.

He was first sent to Oregon and then to farms in California. His last assignment placed him in Fillmore, an hour from Los Angeles. He began taking the bus into the city on the weekends. He found a job at the Brown Derby, then at the Biltmore Hotel. He felt alive in Los Angeles and enjoyed the nightlife. He worked to dress sharp and dance to the big bands.

On July 4, 1948 he was deported to Cuidad Juarez. He spoke English now and landed a job as a floor manager at one of the best nightclubs in Juarez.

An acquaintance asked him to travel to Mexico City to help him register and sell the songs his brother had composed. Miguel resisted. But the man promised to pay the expenses. In Mexico City, Miguel took the man to “La W Radio” and several other places to pitch the songs. One day, while searching out leads, Miguel spotted several men with typewriters and makeshift desks near the Zocalo.

“Letters Written,” their sign read.

He had not seen his father for eleven years. He had a writer compose a letter to his father, telling him that he was in Mexico City at the Hotel Juarez.

Two weeks passed and none of the radio leads worked out. One afternoon two policemen appeared at his hotel door. The man who convinced him to go to Mexico City was now falsely accusing Miguel of fraud. The police put him in a detention cell.

Later, an attorney named Tostado appeared. He loaded men with minor charges into a van. They were being sent to prison, he said, but he would be able to save them for a fee of 800 pesos.

One by one, the men were driven to their homes where loved ones paid the fee. Miguel was the last man in the van. Miguel tried to convince him to let him go; he would pay him later, he lied, stating his father was wealthy Hacendado. Tostado let him make a phone call. He pretended to make the call and reported that as it was Sunday his father was at the track racing his prized horses and could not be reached. Tostado told the driver to head to the Palacio de Lecumberri.

Built in 1900, Palacio de Lecumberri was the “Black Palace,” a prison in the form of a castle, where corruption, murder and beatings were common. Tostado left Miguel with the guards.

Which is how he found himself that morning standing before two cellblocks, with a choice of which way to go – with the rabble in general population or with the upper classes.

For the next several days Miguel dined on steak and listened to the stories of imprisoned generals and bureaucrats who claimed they had been betrayed. Every day he saw bodies dragged from the general population ward. And every day he signed the 500 peso vouchers with no way to pay, fearing he would soon join them. At night alone in his cell he would recall his mother’s lullaby and fall asleep imagining how different his life would have been if she were still alive.

On his fifth day at Lecumberri, two prisoners came to his cell and took him to a room. They demanded payment for the days he’d been there. Miguel told them his father would come soon; everything would be taken care of. Had his father received the letter he sent? Even if he had, how would his father know that he was in Lecumberri? But he stuck to his story. The men yelled louder and grabbed him to throw him in the general population ward. There, he knew, he’d likely be killed as someone from the luxury ward who thought of himself as upper class.

At that moment, two soldiers with bayonets stormed in.

“Let him go!”

Miguel heard the prisoners pleading for his tie and jacket as the soldiers took him to the vast main hall. There stood his father with Major Rubalcava. Miguel was stunned. He reached out to shake hands with his father and the Major.

He began to tell the Major that he had been signing daily vouchers of $500 pesos.

“Don’t even think of paying those crooks.”

As they drove away from the Black Palace, Miguel asked his father how he found him. His father had received his letter and sought him out at the Hotel Juarez, where he learned of his arrest.

They returned to Michoacán. The only open seats on the bus where separated and they were not able to sit together. But, anyway, Miguel’s father was stoic and not inclined to conversation.

They arrived at the village; the smell of guavas filled the air. The same cobblestone streets passed the same multi-colored homes, with the same people sitting at their front doors.

His younger brothers and sisters were welcoming, but he felt the cold stare of his stepmother.

That night, Miguel awoke to his father praying over him. He lay there, pretending to sleep, as, for the first and last time, he saw his father’s tears.

He worked daily from sunrise to sunset. He socialized with the townspeople but he no longer spoke or thought like them. He’d been gone too long.

One day Miguel attempted to load a bushel of hay on the horse and missed. His father yelled at him, “You’re of no use! The calluses on your hands have disappeared. You’re no longer good for this work.”

Miguel kept silent and felt the distance between them.

Weeks passed and Miguel could not find himself in the village.

After a month, without saying a word, he left.

Filed under: book, story, volume one

by

Olivia Segura

Olivia Segura (Bending Branches) was born in San Jose, California to immigrant parents from Mexico. She is a graduate of the University of California at Berkeley and lived, studied and worked in Mexico City for several years. She took the TYTT workshop to begin documenting her father’s life. This is her second TYTT workshop and story.